Jump to content

Hark! The Herald Angels Sing

From Wikipedia, the free encyclopedia

Hark! The Herald Angels Sing
Worship of the Shepherds, 1539, by Bronzino
GenreChristmas carol
Written1739
TextCharles Wesley, adapted by George Whitefield and others
Based onLuke 2:14
Meter7.7.7.7 D with refrain
Melody"Vaterland, in deinen Gauen" from Festgesang by Felix Mendelssohn, adapted by William H. Cummings

"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:14, tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from "Vaterland, in deinen Gauen" of Felix Mendelssohn's cantata Festgesang (Gutenberg Cantata).

Wesley had written the original version as "Hymn for Christmas-Day" with the opening couplet "Hark! how all the Welkin (heaven) rings / Glory to the King of Kings".[1] Whitefield changed that to today's familiar lyric: "Hark! The Herald Angels sing, / 'Glory to the new-born King'".[2] In 1840—a hundred years after the publication of Hymns and Sacred Poems—Mendelssohn composed a cantata to commemorate Johannes Gutenberg's invention of movable type, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of "Hark! The Herald Angels Sing", that is used for the carol today.[3][2]

Textual history

[edit]

The original hymn text was written as a "Hymn for Christmas-Day" by Charles Wesley, included in the 1739 John Wesley collection Hymns and Sacred Poems.[4] The first stanza (verse) describes the announcement of Jesus's birth. Wesley's original hymn began with the opening line "Hark how all the Welkin rings". This was changed to the familiar "Hark! the Herald Angels sing" by George Whitefield in his 1754 Collection of Hymns for Social Worship.[5] A second change was made in the 1782 publication of the Tate and Brady New Version of the Psalms of David. In this work, Whitefield's adaptation of Wesley's hymn appears, with the repetition of the opening line "Hark! the Herald Angels sing/ Glory to the newborn king" at the end of each stanza, as it is commonly sung today.[6] The hymn has a Roud Folk Song Index number of 8337.

"Hymn for Christmas-Day"
(Charles Wesley, 1739)[7] 		Adaptation by
George Whitefield (1758)[8] 		Carols for Choirs (1961)[9]

HARK how all the Welkin rings
"Glory to the King of Kings,
"Peace on Earth, and Mercy mild,
"GOD and Sinners reconcil'd!

Joyful all ye Nations rise,
Join the Triumph of the Skies,
Universal Nature say
"CHRIST the LORD is born to Day!

HARK! the Herald Angels sing
Glory to the new-born King!
Peace on Earth, and Mercy mild,
God and Sinners reconcil'd.

Joyful all ye Nations rise,
Join the Triumphs of the Skies;
Nature rise and worship him,
Who is born at Bethlehem.

Hark! The herald-angels sing
"Glory to the newborn king;
Peace on earth and mercy mild,
God and sinners reconciled"

Joyful all ye nations rise,
Join the triumph of the skies
With the angelic host proclaim
"Christ is born in Bethlehem"
Hark! The herald-angels sing
"Glory to the new-born king"

CHRIST, by highest Heav'n ador'd,
CHRIST, the Everlasting Lord,
Late in Time behold him come,
Offspring of a Virgin's Womb.

Veil'd in Flesh, the Godhead see,
Hail th' Incarnate Deity!
Pleas'd as Man with Men t' appear
JESUS, our Immanuel here!

Christ by highest Heav'n ador'd,
Christ the everlasting Lord;
Late in Time behold-him come,
Offspring of the Virgin's Womb.

Veil'd in Flesh the Godhead see,
Hail th' incarnate Deity!
Pleas'd as Man with Men t'appear,
Jesus our Emmanuel here.

Christ, by highest heaven adored
Christ, the everlasting Lord,
Late in time behold Him come
Offspring of a Virgin's womb:

Veiled in flesh the Godhead see,
Hail the incarnate Deity
Pleased as man with man to dwell
Jesus, our Emmanuel
Hark! The herald-angels sing
"Glory to the newborn King"

Hail the Heav'nly Prince of Peace!
Hail the Sun of Righteousness!
Light and Life to All he brings,
Ris'n with Healing in his Wings.

Mild he lays his Glory by,
Born—that Man no more may die,
Born—to raise the Sons of Earth,
Born—to give them Second Birth.

Hail the Heav'n-born Prince of Peace
Hail the Sun of Righteousness!
Light and Life around he brings,
Ris'n with Healing in his Wings.

Mild he lays his Glory by,
Born that Men no more may die;
Born to raise the sons of Earth,
Born to give them second Birth.

Hail the Heaven-born Prince of Peace!
Hail the Sun of Righteousness![a]
Light and life to all He brings,
Risen with healing in His wings;

Mild He lays His glory by
Born that man no more may die
Born to raise the sons of earth
Born to give them second birth
Hark! The herald angels sing
 "Glory to the new-born king"

Come, Desire of Nations, come,
Fix in Us thy humble Home,
Rise, the Woman's Conqu'ring Seed,
Bruise in Us the Serpent's Head.

Now display thy saving Pow'r,
Ruin'd Nature now restore,
Now in Mystic Union join
Thine to Ours, and Ours to Thine.

Come, Desire of Nations, come,
Fix in us thy heav'nly Home;
Rise the Woman's conqu'ring Seed,
Bruise in us the Serpent's Head.

Adam's Likeness, LORD, efface,
Stamp thy Image in its Place,
Second Adam from above,
Reinstate us in thy Love.

Let us Thee, tho' lost, regain,
Thee, the Life, the Inner Man:
O! to All Thyself impart,
Form'd in each Believing Heart.

Adam's Likeness now efface,
Stamp thy Image in its Place;
Second Adam from above,
Work it in us by thy Love.

Melodies

[edit]

Mendelssohn melody

[edit]
Sung by the United States Army Band Chorus

In 1855, British musician William Hayman Cummings, organist at Waltham Abbey Church,[11] adapted Felix Mendelssohn's secular music from Festgesang to fit the lyrics of "Hark! The Herald Angels Sing" written by Charles Wesley.[12] Wesley had originally envisioned the words being sung to the same tune as his Easter hymn "Christ the Lord Is Risen Today".[13]

"Hark! The Herald Angels Sing" was regarded as one of the Great Four Anglican Hymns and published as number 403 in The Church Hymn Book (New York and Chicago, 1872).[14]

In Britain, "Hark! The Herald Angels Sing" has popularly been performed in an arrangement that maintains the basic original William H. Cummings harmonisation of the Mendelssohn tune for the first two verses, but adds a soprano descant and a last verse harmonisation for the organ in verse three by Sir David Willcocks. This arrangement was first published in 1961 by Oxford University Press in the first book of the Carols for Choirs series. For many years it has served as the recessional hymn of the annual service of Nine Lessons and Carols at King's College Chapel, Cambridge.[15]

% There are many different arrangements; % this is from https://imslp.org/wiki/File:PMLP576994-Hark_the_Herald_Angels_Sing_Full_Score.pdf \header { tagline = ##f } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key f \major \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t } soprano = \relative c' { \global c4 f f4. e8 | f4 a a (g) | c c c4. bes8 | a4 g a2 | c,4 f f4. e8 | f4 a a (g) | c4 g g4. e8 | e4 d c2 | \repeat unfold 2 { c'4 c c f, | bes a a (g) | } d'4 d d c | bes a bes2 | g4 a8 (bes) c4. f,8 | f4 g a2 | d4. d8 d4 c | bes a bes2 | g4 \tempo 4=102 a8 (bes) c4. f,8 | f4 g f2 \bar "|." } alto = \relative c' { \global c4 c c4. c8 | c4 f f (e) | f e d g | f4 e f2 | c4 c c4. c8 | a4 f' f2 | e4 d e4. c8 | c4 b c2 | \repeat unfold 2 { c4 c c f | g f f (e) | } bes'4 bes bes a | g fis g2 | e4 e4 f4. c8 | c4 e f2 | bes4 bes bes a | g fis g2 | c,4 e4 f4. f8 | c4 c c2 } tenor = \relative c { \global a'4 a a4. g8 | f4 c' c2 | c4 c d d | c c c2 | a4 a a4. g8 | f4 c' d2 | c4 d c4. g8 | a4 f e2 | \repeat unfold 2 { c'4 c c c | c c c2 } | d4 d d d | d c bes2 | c4 c c4. a8 | a4 c c2 | <d bes>4 q q <c a> | <bes g> <a fis> bes2 c4 c c4. a8 | a4 bes a2 } bass = \relative c { \global f4 f f4 c | a4 f c'2 | a4 a bes bes | c4 c f2 | f4 f f c | d4 c b4. (g8) | a4 b c4 <e, e'> | f4 g c2 | \repeat unfold 2 { c'4 c c a | e f c2 } | bes4 bes bes bes | bes d g2 | bes4 bes a f | c4 c f2 | bes,1~ | bes4 d g (f) e bes' a f | c4 c f2 } verseOne = \lyricmode { \set stanza = "1." Hark! the her -- ald an -- gels sing, "\"Glo" -- ry to the new -- born King; peace on earth, and mer -- cy mild, God and sin -- ners rec -- on -- "ciled!\"" \break Joy -- ful, all ye na -- tions rise, join the tri -- umph of the skies; With th'an -- gel -- ic host pro -- claim "\"Christ" is born in Beth -- le -- "hem!\"" Hark! the her -- ald an -- gels sing, "\"Glo" -- ry to the new -- born "king.\"" } verseTwo = \lyricmode { \set stanza = "2." Christ, by high -- est heav'n a -- dored, Christ, the ev -- er -- last -- ing Lord! late in time be -- hold him come, Off -- spring of the Vir -- gin's womb: veiled in flesh the God -- head see; hail th'in -- car -- nate De -- i -- ty, pleased as man with men to dwell, Je -- sus, our Em -- man -- u -- el! } verseThree = \lyricmode { \set stanza = "3." Hail, the heav'n -- born Prince of Peace! Hail the Sun of Right -- eous -- ness! Light and life to all he brings, ris'n with heal -- ing in his wings. Mild He lays his glo -- ry by, born that we no more may die, born to raise us from the earth, born to give us sec -- ond birth. } \score { \new ChoirStaff << \new Staff \with { midiInstrument = "brass section" } << \new Voice = "soprano" { \voiceOne \soprano } \new Voice = "alto" { \voiceTwo \alto } >> \new Lyrics \lyricsto "soprano" \verseOne \new Lyrics \lyricsto "soprano" \verseTwo \new Lyrics \with { \override VerticalAxisGroup #'staff-affinity = #CENTER } % a little less spacing \lyricsto "soprano" \verseThree \new Staff \with { midiInstrument = "tuba" } << \clef bass \new Voice = "tenor" { \voiceOne \tenor } \new Voice = "bass" { \voiceTwo \bass } >> >> \layout { } \midi { \tempo 4=112 } }

Advent adaptation

[edit]

Mendelssohn's melody has been used for a 1990 Advent song in German, "In das Warten dieser Welt" (Into the waiting of this world) by Johannes Jourdan. It is part of regional sections of the common Catholic hymnal Gotteslob and songbooks.[16]

Handel melody

[edit]
Handel's tune in Judas Maccabaeus

An uncommon arrangement of the hymn to the tune "See, the Conqu'ring hero comes" from Handel's Judas Maccabaeus, normally associated with the hymn "Thine Be the Glory", is traditionally[17] used as the recessional hymn of the Festival of Nine Lessons and Carols at St Patrick's Cathedral, Dublin. This is broadcast live each year on Christmas Eve on RTÉ Radio 1. The usual (first) three verses are divided into six verses, each with chorus. The arrangement features a brass fanfare with drums in addition to the cathedral organ, and takes about seven and a half minutes to sing. The Victorian organist W. H. Jude, in his day a popular composer, also composed a new setting of the work, published in his Music and the Higher Life.[18]

See also

[edit]

Footnotes

[edit]

Notes

  1. ^ This line is a reference to Malachi 4:2 ("But for you who revere my name the sun of righteousness shall rise, with healing in its wings. You shall go out leaping like calves from the stall."), but is often mistakenly changed to "Son of righteousness".[10]

Citations

  1. ^ "Hymn Texts and Tunes: Hark! the herald angels sing (125)". Evangelical Lutheran Hymnary Handbook. Bethany Lutheran College. Retrieved 15 July 2023.
  2. ^ a b "Hark! the Herald Angels Sing" at Hymns and Carols of Christmas
  3. ^ John Wesley; Charles Wesley (1743). Hymns and Sacred Poems (4th ed.). Bristol: Felix Farley. pp. 142–143 – via Internet Archive.
  4. ^ Watson, J. R. (1997). "9. John and Charles Wesley". The English Hymn: A Critical and Historical Study. Oxford: Clarendon Press. pp. 205–229. ISBN 0198267622 – via Internet Archive.
  5. ^ Whitefield, George (1754). A Collection of Hymns for Social Worship. London: William Strahan.
  6. ^ Tate, Nahum; Nicholas Brady (1782). A New Version of the Psalms of David: Fitted to the Tunes Used in Churches. Cambridge: J. Archdeacon.
  7. ^ Wesley, John; Wesley, Charles (1739). "Hymn for Christmas-Day". Hymns and Sacred Poems. London: William Strahan. pp. 206–208.
  8. ^ Whitefield, George (1758). "XXXI. Hark! the Herald Angels sing". A Collection of Hymns for Social Worship, More Particularly Designed for the Use of the Tabernacle and Chapel Congregations in London. London: William Strahan. p. 24 – via Google Play.
  9. ^ Willcocks, David; Jacques, Reginald, eds. (1961). "Hark! The Herald Angels Sing". Carols for Choirs. Vol. 1. Oxford: Oxford University Press. p. 39 – via Internet Archive.
  10. ^ Fentress, Sara Beth (13 December 2018). "Hark! Thoughts on a Christmas Classic". cfc.sebts.edu. The Center for Faith and Culture. Retrieved 16 March 2022.
  11. ^ "Christmas Classics Person of the Day: William Hayman Cummings". Christmas Classics Ltd. 30 August 2013. Retrieved 19 December 2023 – via Waltham Abbey Archives.
  12. ^ Hark the Herald Angels Sing carols.org.uk
  13. ^ Hoare, Charlotte (16 December 2020). "Wesley, Gutenberg, and 'Hark! The Herald Angels Sing'". The Methodist Church of Great Britain. Archived from the original on 15 July 2024. Retrieved 19 December 2024.
  14. ^ Breed, David (1934). The History and Use Hymns and Hymn-Tunes. Old Tappan, New Jersey: Fleming H. Revell Company. Retrieved 25 December 2013.
  15. ^ "Nine Lessons and Carols". King's College, Cambridge. Archived from the original on 16 October 2007. Retrieved 25 October 2007.
  16. ^ "In das Warten dieser Welt". evangeliums.net (in German). 2023. Retrieved 18 December 2023.
  17. ^ C. George Bannister (March 1944). "Cornet v. Trumpet". The Musical Times. 85 (1213): 91. doi:10.2307/921578. JSTOR 921578.
  18. ^ Hark! The Herald Angels Sing, National Library of Australia.
[edit]
Wikisource has original text related to this article:
Retrieved from "https://en.wikipedia.org/w/index.php?title=Hark!_The_Herald_Angels_Sing&oldid=1265267213"